Creating Emotion in Games, Part 4 -- Groups and NPC Relationships

If you're new to my retrospective on Creating Emotion in Games, start at the first post and work your way forward; it'll make more sense! If you're just catching up--in part 3, we got introduced to the book's basic ideas--how to define non-player characters (NPCs), give them interesting traits, and then add deeper texture to them. This time around, it's a bit more of a mix of content--there's still more about NPCs, but we're also going to move into some more unique (and game-specific) territory: groups and factions.

Creating Emotion in Games, Part 3 -- NPCs and Dialogue

If you're new to this series, start on the first post and go from there!

We wrapped up our introduction to this book in the last post, looking at a few miscellaneous things that the author has to say about building narratives in games, and also exploring his idea of the "deep" and "interesting" axes. While these are largely focused around presentation within the game (not surprising, given the author's background in screenwriting), I do plan on drawing this back to actual mechanical design and game structure as much as possible, in a way that builds on the book. So with that said, let's dive into the first Emotioneering™ techniques! These ones focus on non-playable characters, "NPCs".

Creating Emotion in Games, Part 2 -- Finishing the Intro

Last time in Part 1, I covered the first part of the introduction to Creating Emotion in Games, which sets up a sales pitch for "why invest in games storytelling?", introduces the author's concept of Emotioneering™, and explains some of the difficulties that professional writers from other media have when transitioning to games writing. Today, we're going to wrap up that introduction with a few miscellaneous sections that make their way in, completing the pitch and setting the stage for the actual techniques to come.